"MODERN (POST) MODERN", GALLERY OF FINE ARTS, Split, Croatia
wood, light bulbs, wire, 800 x 310 x 110 cm
group exhibition which presents some of the most important authors of Croatian contemporary art and with them a few younger artists
to be elected to the elite group brings an obligation to justify this fact
parody and the banality replace imposed spectacle
the typology of the inscription is identical to inscription HOLLYWOOD
star system and glamour are emptied with the title of the work and the message, without any sense
INSTANT MONUMENT / 2008 - 2009
wood, plaster panels, bricks,170 x 170 x 200 cm
mirror, 100 x 200
Grožnjan, Croatia
last few years one of the topics that attracted my attention are monuments, their meaning, role and purpose
the system of excellence and values
reasons for decision to raise a monument to someone
anyone can climb the stairs and enter in the pedestal
by being inside and exposed one becomes part of the installation
work gives a sense of glory and importance
the mirror is placed opposite construction so we can see how monument suite us
instant glory and fame-instant monument
work also examines the settings and the meaning of sculpture
mirror, 100 x 200
Grožnjan, Croatia
last few years one of the topics that attracted my attention are monuments, their meaning, role and purpose
the system of excellence and values
reasons for decision to raise a monument to someone
anyone can climb the stairs and enter in the pedestal
by being inside and exposed one becomes part of the installation
work gives a sense of glory and importance
the mirror is placed opposite construction so we can see how monument suite us
instant glory and fame-instant monument
work also examines the settings and the meaning of sculpture
INSTALLATION AT 18th STREET ARTS CENTER SANTA MONICA, USA / 2008
for the event of opening of the exhibition «War as the Way of Life» I have decided to create a work that will reflect some of my views on subjects such as war
I didn't want to make work that speaks directly about the horrors of war; killing, dying, sorrow and pain
for me the most terrifying things are the way people are convinced to hate each other; how the intolerance grows, what the consequences are and how deeply those things remain in your life
mechanisms which are used to reach this goal are almost always the same and with my work I wanted to point some of them
IN HOC SIGNO VINCES (The Flag) / 2008
Latin- In This Sign You Shall Conquer
aluminum foil, 190 x 120 cm
one of the first things is creating the national unity, raising pride and sense of glory, belonging to a specific group, nationality, population
in this case I used the flag as a mark of belonging
we identify with a nationalistic icon, it becomes your trademark; by being born in certain place we assume identity of it
I created a metal, anonymous flag, it can be any flag of the world
you can identify with it
by assuming one particular identity you are expected to reject any other
the title is in Latin, and this phrase was used during the Crusades wars, when the Christians fought against the Muslims (the infidels ones)
no mater what the cause, you are supposed to act as expected
LULLABY / 2008
power horns, sound, 51 min, loop
raising the feeling of belonging is subject of this work
I used National anthems that are played one after another
I also made a choice of the words from these anthems, extracting only beautiful words such as love, freedom, liberty, happiness, glory
those words are supposed to make us more aware of our identity
the choice of National anthems that I used for this work are: only anthems of those countries that had war or arm conflict from 1990 till now
I decided to use year 1990 as a point of departure (same year the Berlin wall was destroyed, time when we celebrated the end of Cold War, year that was supposed to be start of new era, peace era)
fact: from 1945- 1989 there were 114 war conflicts in the world, from 1990 until now we had 70 and 32 are ongoing (by Wikipedia)
number of wars, in post- Cold War period is doubled
how wrong we were
PURIFICATION / 2008
aluminum foil, cans, straws, cardboard, led light
another step that happen is extraction of every non wanted element
after extraction we try to get rid of them
everyone who is different is unwanted (by race, colour, religion, or someone that think different, intellectuals, dissidents...)
for this work I created showers
instead of water you have rays of light that «illuminate», «purify» you
the setting evokes Nazi Concentration Camps, where instead of water, gas was used
SAFE FROM HARM / 2008
a fence is surrounding you
after all these beautiful things that are promised (love, happiness, freedom...)
you are in the ambiance that limits you
closed, trapped
limits are both intellectual and personal
lack of basic freedom, lack of choice
by the promise of keeping you safe and protected you are controlled, imprisoned
I have used everyday materials to create works
those that you can buy in every grocery store. In this way I wanted to show how much these manipulation is infected and part of our life; how the things such as hate, intolerance, non- understanding are becoming a way of life
BASTION (five stars) / 2008
“ARTIKULACIJA PROSTORA/ RADOVI U TIJEKU”, BEDEM CORNARO , Split, Croatia
iron, fabric, wood, plastic
sculpture-in-the-open exhibition
Cornaro bastion is famous as being derelict and devastated space in the town centre mainly used by prostitutes and heroin addicts
I have placed three beds with brightly coloured baldachins
this works deals with tourism as an excuse for any urban devastation, camouflaged by creating comfort and categorization (5 stars)
I'm exploring relations between art and artists and the everyday users of this space
iron, fabric, wood, plastic
sculpture-in-the-open exhibition
Cornaro bastion is famous as being derelict and devastated space in the town centre mainly used by prostitutes and heroin addicts
I have placed three beds with brightly coloured baldachins
this works deals with tourism as an excuse for any urban devastation, camouflaged by creating comfort and categorization (5 stars)
I'm exploring relations between art and artists and the everyday users of this space
INSTANT MONUMENT / 2008
I have made a photo documentation of the different, existing monuments
every monument was dedicated to some historical figure (there are no allegorical representation such as Freedom, Justice, an unknown hero ... or fictional characters)
based on photographs I have made a three-dimensional drawings
the model of each pedestal is called by the name of the person that is actually on the monument (e.g. MODEL_001_CHRISTOPHER, MODEL_002_GIUSEPPE ...)
fifteen different models of pedestals
exhibition presents prints of each model and video animation
animation is created in a way that each of the models is displayed as a drawing and its versions in materials such as granite, marble...
work is treated as a kind of advertising, catalogue
pedestal models offer the choice, everyone can choose the desired one made in material that prefers
GOLF CAR / 2008
"ISLAND MAP", KLOVIĆEVI DVORI GALLERY, Zagreb, Croatia
iron, wood, 300 x 250 x 200 cmPula, Croatia
work is completed for the exhibition which was conclusion of three-year art events on the island Zlarin held in Zagreb, the capital of Croatia
lately Zlarin, among others, received the title of Golf Car island, on an island without cars, today we have over 25 vehicles for the golf but no golf course, not even one hole
the first such vehicle were brought by a local immigrant working in the USA, for help around the field, household and other activities, to facilitate in late years
shortly after the second "American" brings his own , then the third one, fourth ...
soon after the arrival of first few cars, starts the game of prestige among the standard white golf cars, there are now red, gray, gold ... with most modern design
golf car has become the subject of debate, taunt, comments ... usually no one is indifferent to a subject
for the exhibition I have create an object that by its form is reminiscent the golf car
object is made in the manner of arbour, bench
after the exhibition the work is set in Zlarin within the children's playground, with swings and slides as yet another device for playing and games
all of the above served as a pretext review the situation, context, meaning and understanding
in spite of its form (it is obvious that this is an installation, sculpture) work presented at the prestigious gallery remains unclear if the visitor does not understand the context from which the work was based, equally as for citizens of Zlarin are incomprehensible artistic interventions that occur every summer
iron, wood, 300 x 250 x 200 cmPula, Croatia
work is completed for the exhibition which was conclusion of three-year art events on the island Zlarin held in Zagreb, the capital of Croatia
lately Zlarin, among others, received the title of Golf Car island, on an island without cars, today we have over 25 vehicles for the golf but no golf course, not even one hole
the first such vehicle were brought by a local immigrant working in the USA, for help around the field, household and other activities, to facilitate in late years
shortly after the second "American" brings his own , then the third one, fourth ...
soon after the arrival of first few cars, starts the game of prestige among the standard white golf cars, there are now red, gray, gold ... with most modern design
golf car has become the subject of debate, taunt, comments ... usually no one is indifferent to a subject
for the exhibition I have create an object that by its form is reminiscent the golf car
object is made in the manner of arbour, bench
after the exhibition the work is set in Zlarin within the children's playground, with swings and slides as yet another device for playing and games
all of the above served as a pretext review the situation, context, meaning and understanding
in spite of its form (it is obvious that this is an installation, sculpture) work presented at the prestigious gallery remains unclear if the visitor does not understand the context from which the work was based, equally as for citizens of Zlarin are incomprehensible artistic interventions that occur every summer
EVERYTHING IN ITS RIGHT PLACE / 2008
plaster panels, wood, sound, light
coming back from the residence in New York, I had a solo exhibition as a winner of Radoslav Putar award
the exhibition is supposed to reflect the New York experience
I have built the corridor within the exhibition space that lead to the storage of the gallery
I have left all of the objects in the storage as they were, without any intervention or changing the setting
I have built the wooden ceiling through which light could be seen, and sound could be heard
the sound was recorded during one of the high-brow exhibition openings in New York
creation of false spectacle and high expectations eventually leads the visitor to the unrepresentative setting of the storage, where he/she is left to him/herself
personal and social position is stressed here, that includes irony
the work deals with relations within art, the question of center and province, of inherent and imposed mystification and glorification of the center
after spending two months in such a center, coming back to reality can be seen as a failure, but at the same time as relief because everything is where it should be
coming back from the residence in New York, I had a solo exhibition as a winner of Radoslav Putar award
the exhibition is supposed to reflect the New York experience
I have built the corridor within the exhibition space that lead to the storage of the gallery
I have left all of the objects in the storage as they were, without any intervention or changing the setting
I have built the wooden ceiling through which light could be seen, and sound could be heard
the sound was recorded during one of the high-brow exhibition openings in New York
creation of false spectacle and high expectations eventually leads the visitor to the unrepresentative setting of the storage, where he/she is left to him/herself
personal and social position is stressed here, that includes irony
the work deals with relations within art, the question of center and province, of inherent and imposed mystification and glorification of the center
after spending two months in such a center, coming back to reality can be seen as a failure, but at the same time as relief because everything is where it should be
PENALTY KICKS / 2007
video, loop, TV, crates of beer, beer
video shows penalty kicks performed by several men, while I, in the role of the goalkeeper, am trying to save the penalty kicks
the actions are taking turn fast while music is played in the background
constant repetition
the viewer can help himself with a beer and sit on one of the crates, creating a feeling of comfort
the problem of my own position as an individual/artist is presented through the undesirable position of a goalkeeper
although I have a very modest knowledge of football, typically male thing, by playing it I create a feeling of acceptance and belonging
criticism of gender stereotypes, the rules of mass games and imposed values
WE ARE ONLY TWO MEN AT THE EXHIBITION, RADOSLAV / 2007
“FINAL 2007! RADOSLAV PUTAR AWARD”, GALŽENICA GALLERY, Velika Gorica, Croatiastyrofoam,plaster, wood, cardboard, 420 x 60 x 60 cm
the Jury of this year’s edition of Radoslav Putar Award consists of five women who have selected four finalists among whom three of them are women
to be minority / isolation
problem of emancipation in hands of emancipated group
on the other hand I apply typically male approach
producing the bust and placing it in the very center of exhibiting space
making it significant, creating it pompous / personality cult, heroism
falic form / totem, symbol of adoring
accentuated male position
title of the work is twofold - can be understood as a macho statement and in the same time it offers constatation of slight panic
usage of colloquial language and slang to stress belonging to the same group
work refers to relations burdened by social, sex and gender, ideological and traditional differences
prejudices
exclusivity of certain groups, intolerance, creating the system of values within those groups
the Jury of this year’s edition of Radoslav Putar Award consists of five women who have selected four finalists among whom three of them are women
to be minority / isolation
problem of emancipation in hands of emancipated group
on the other hand I apply typically male approach
producing the bust and placing it in the very center of exhibiting space
making it significant, creating it pompous / personality cult, heroism
falic form / totem, symbol of adoring
accentuated male position
title of the work is twofold - can be understood as a macho statement and in the same time it offers constatation of slight panic
usage of colloquial language and slang to stress belonging to the same group
work refers to relations burdened by social, sex and gender, ideological and traditional differences
prejudices
exclusivity of certain groups, intolerance, creating the system of values within those groups
ARC 2000 / 2007
„42nd Zagreb Salon of Visual Arts “, Zagreb Fair , Pavilion 19, Zagreb, Croatiawood, sponge, cement blocks, fabric, 350 x 120 x 120 cm
an unidentified vehicle
the name, the mode of presentation and its equipment lead to the conclusion that it must be a luxurious product
its placement on cement blocks makes it impossible to move
thematic connection to the Biblical story (the title, intention of carrying two people, a couple) is brought to the absurd
an unidentified vehicle
the name, the mode of presentation and its equipment lead to the conclusion that it must be a luxurious product
its placement on cement blocks makes it impossible to move
thematic connection to the Biblical story (the title, intention of carrying two people, a couple) is brought to the absurd
YOU GOT IT! / 2007
„You Got It! “, VN Gallery , Zagreb, Croatia
in the multipurpose Gallery venue which, at the same time, serves as a library, three types of slot machines are placed: poker machines, video games and pinball machines
the venue is a sort of a living room for its regular visitors – pensioners, who pass their time in reading daily newspapers
reading as a pastime, entertainment and fun
addiction to news they no longer participate in, but are only consumers, is placed within a context of addition to fun and finding ways to pass free time
the works are presented as some kind of monuments or busts in a museum
the monuments to people who have become machines with strictly determined set of values
in the multipurpose Gallery venue which, at the same time, serves as a library, three types of slot machines are placed: poker machines, video games and pinball machines
the venue is a sort of a living room for its regular visitors – pensioners, who pass their time in reading daily newspapers
reading as a pastime, entertainment and fun
addiction to news they no longer participate in, but are only consumers, is placed within a context of addition to fun and finding ways to pass free time
the works are presented as some kind of monuments or busts in a museum
the monuments to people who have become machines with strictly determined set of values
FULL BONUS / 2007
„You Got ot It! “, VN Gallery , Zagreb, Croatia
wood, 180 x 150 x 60 cm, each
wooden objects that seem like coffins with tombstones
full bonus is a final winning in pinball that the players try to achieve, and reach the score that will allow them to continue playing
despite of the effort, defeat and loss are inevitable
wood, 180 x 150 x 60 cm, each
wooden objects that seem like coffins with tombstones
full bonus is a final winning in pinball that the players try to achieve, and reach the score that will allow them to continue playing
despite of the effort, defeat and loss are inevitable
FIVE OF A KIND / 2007
„You Got It! “, VN Gallery , Zagreb, Croatia
plaster, 35 x 35 x 33 cm, each
forms of poker machines are made of plaster of Paris painted gold, set as busts, portraits of historically and culturally important people
the title comes from the winning combination
five unified casts are left unfinished, you can see some differences
wrong and superficial understanding, generalization
plaster, 35 x 35 x 33 cm, each
forms of poker machines are made of plaster of Paris painted gold, set as busts, portraits of historically and culturally important people
the title comes from the winning combination
five unified casts are left unfinished, you can see some differences
wrong and superficial understanding, generalization
HIGH SCORE / 2007
SHELTER / 2006
“CONTEMPORARY ART IN SPLIT- NEW GENERATION”, GALLERY OF FINE ARTS, Split, Croatia
cardboard, 192 x 198 x 284 cm
a cardboard reconstruction of a family shelter (Family Fallout Shelter- the manual for construction with detailed instructions, photos and drawings can be found on the Internet)
three situations that inspired me to create this work
- situation 1
the building of today’s Art Gallery in certain period was an orphanage
the fact that not one of its wards lived to the age of 18
- situation 2
surfing the Internet I have found advertising pages of a company producing small family fallout shelters
in the promotional material there is a picture of a mother looking at her children playing inside the latest model of the fallout shelter
- situation 3
behind my apartment building, in the lot, the neighborhood children at play, are constantly building cardboard houses, shelters
when rain or wind destroys one, they start building a new one
detachment from dimensions, selection of fragile material, form and condition of work, dialogue between stories and situations, reveals nonsense ( an orphanage offering no safety... a fallout shelter as a play room and idyllic family room... a shelter which can’t withstand a puff of wind...)
the emphasis of the inability to fulfil the elementary purpose leaves some space for personal interpretation
cardboard, 192 x 198 x 284 cm
a cardboard reconstruction of a family shelter (Family Fallout Shelter- the manual for construction with detailed instructions, photos and drawings can be found on the Internet)
three situations that inspired me to create this work
- situation 1
the building of today’s Art Gallery in certain period was an orphanage
the fact that not one of its wards lived to the age of 18
- situation 2
surfing the Internet I have found advertising pages of a company producing small family fallout shelters
in the promotional material there is a picture of a mother looking at her children playing inside the latest model of the fallout shelter
- situation 3
behind my apartment building, in the lot, the neighborhood children at play, are constantly building cardboard houses, shelters
when rain or wind destroys one, they start building a new one
detachment from dimensions, selection of fragile material, form and condition of work, dialogue between stories and situations, reveals nonsense ( an orphanage offering no safety... a fallout shelter as a play room and idyllic family room... a shelter which can’t withstand a puff of wind...)
the emphasis of the inability to fulfil the elementary purpose leaves some space for personal interpretation
NIKOLA TESLA- proposal for a monument / 2006
„Normalization“, Nova Gallery , Zagreb, Croatia
project, 10 prints
the exhibition was organized on the occasion of 150 years of Nikola Tesla’s birth, at a time of political debate on the way of celebrating that anniversary and the controversial attitude towards Nikola Tesla
dispute on whether to place the monument in Zagreb or Smiljan
I suggested that the already existing sculpture created by Ivan Meštrović, one of the greatest Croatian sculptors, should simply be cut in half and each part should be placed in each of the locations
due to the symmetry of the original sculpture it should be enough to place the mirror next to the existing half and not to lose anything of the visual whole
series of different interventions were proposed – to use some expensive materials, an interactive fountain, laser illumination, golden ornaments ... just to mend the thing that cannot be mended and show how much we care
project, 10 prints
the exhibition was organized on the occasion of 150 years of Nikola Tesla’s birth, at a time of political debate on the way of celebrating that anniversary and the controversial attitude towards Nikola Tesla
dispute on whether to place the monument in Zagreb or Smiljan
I suggested that the already existing sculpture created by Ivan Meštrović, one of the greatest Croatian sculptors, should simply be cut in half and each part should be placed in each of the locations
due to the symmetry of the original sculpture it should be enough to place the mirror next to the existing half and not to lose anything of the visual whole
series of different interventions were proposed – to use some expensive materials, an interactive fountain, laser illumination, golden ornaments ... just to mend the thing that cannot be mended and show how much we care
THE THINGS THAT DREAMS ARE MADE OF / 2006
“THE THINGS THAT DREAMS ARE MADE OF”, GALLERY OF FINE ARTS, Split, Croatia
INTERSTELLAR THUNDERBIRD (prototype)
styrofoam, metal, cardboard, 42 x 212 x 470 cm
STARSHIP CAPITAIN’S EXTRAVEHICULAR SUIT
polyvinil, 190 x 85 x 30 cm
HEAVYCRUISER BATTLEUNIT COMMANDER-S SUIT
3rd GENERATION
polyvinil, 190 x 85 x 30 cm
spacial installation consisting of four elements: intergalactic spacecraft, two spacesuits and an inscription, the same as the title of the exhibition that dominates over the set works
the setting reminds of some car show, exhibition of some fashion and technological achievements or some historic museum (the gallery where the exhibition was held was formerly a museum of revolution)
the works are left technically imperfect, and together with the titles parody themselves, stressing the incapability of fulfilling its basic purpose
all the elements at the exhibition were taken at an association level; endless universe is similar to endless imagination, dreams
INTERSTELLAR THUNDERBIRD (prototype)
styrofoam, metal, cardboard, 42 x 212 x 470 cm
STARSHIP CAPITAIN’S EXTRAVEHICULAR SUIT
polyvinil, 190 x 85 x 30 cm
HEAVYCRUISER BATTLEUNIT COMMANDER-S SUIT
3rd GENERATION
polyvinil, 190 x 85 x 30 cm
spacial installation consisting of four elements: intergalactic spacecraft, two spacesuits and an inscription, the same as the title of the exhibition that dominates over the set works
the setting reminds of some car show, exhibition of some fashion and technological achievements or some historic museum (the gallery where the exhibition was held was formerly a museum of revolution)
the works are left technically imperfect, and together with the titles parody themselves, stressing the incapability of fulfilling its basic purpose
all the elements at the exhibition were taken at an association level; endless universe is similar to endless imagination, dreams
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