YOU'LL NEVER GET TO HEAVEN (TRA-LA-LA) / 2009

"MODERN (POST) MODERN", GALLERY OF FINE ARTS, Split, Croatia
wood, light bulbs, wire, 800 x 310 x 110 cm



group exhibition which presents some of the most important authors of Croatian contemporary art and with them a few younger artists

to be elected to the elite group brings an obligation to justify this fact

parody and the banality replace imposed spectacle

the typology of the inscription is identical to inscription HOLLYWOOD

star system and glamour are emptied with the title of the work and the message, without any sense

INSTANT MONUMENT / 2008 - 2009

wood, plaster panels, bricks,170 x 170 x 200 cm
mirror, 100 x 200


Grožnjan, Croatia



last few years one of the topics that attracted my attention are monuments, their meaning, role and purpose

the system of excellence and values

reasons for decision to raise a monument to someone

anyone can climb the stairs and enter in the pedestal

by being inside and exposed one becomes part of the installation

work gives a sense of glory and importance

the mirror is placed opposite construction so we can see how monument suite us

instant glory and fame-instant monument

work also examines the settings and the meaning of sculpture

INSTALLATION AT 18th STREET ARTS CENTER SANTA MONICA, USA / 2008



for the event of opening of the exhibition «War as the Way of Life» I have decided to create a work that will reflect some of my views on subjects such as war

I didn't want to make work that speaks directly about the horrors of war; killing, dying, sorrow and pain

for me the most terrifying things are the way people are convinced to hate each other; how the intolerance grows, what the consequences are and how deeply those things remain in your life

mechanisms which are used to reach this goal are almost always the same and with my work I wanted to point some of them



IN HOC SIGNO VINCES (The Flag) / 2008

Latin- In This Sign You Shall Conquer

aluminum foil, 190 x 120 cm



one of the first things is creating the national unity, raising pride and sense of glory, belonging to a specific group, nationality, population

in this case I used the flag as a mark of belonging

we identify with a nationalistic icon, it becomes your trademark; by being born in certain place we assume identity of it

I created a metal, anonymous flag, it can be any flag of the world
you can identify with it

by assuming one particular identity you are expected to reject any other
the title is in Latin, and this phrase was used during the Crusades wars, when the Christians fought against the Muslims (the infidels ones)

no mater what the cause, you are supposed to act as expected


LULLABY / 2008
power horns, sound, 51 min, loop


raising the feeling of belonging is subject of this work

I used National anthems that are played one after another

I also made a choice of the words from these anthems, extracting only beautiful words such as love, freedom, liberty, happiness, glory

those words are supposed to make us more aware of our identity

the choice of National anthems that I used for this work are: only anthems of those countries that had war or arm conflict from 1990 till now

I decided to use year 1990 as a point of departure (same year the Berlin wall was destroyed, time when we celebrated the end of Cold War, year that was supposed to be start of new era, peace era)

fact: from 1945- 1989 there were 114 war conflicts in the world, from 1990 until now we had 70 and 32 are ongoing (by Wikipedia)

number of wars, in post- Cold War period is doubled

how wrong we were



PURIFICATION / 2008
aluminum foil, cans, straws, cardboard, led light



another step that happen is extraction of every non wanted element

after extraction we try to get rid of them

everyone who is different is unwanted (by race, colour, religion, or someone that think different, intellectuals, dissidents...)

for this work I created showers

instead of water you have rays of light that «illuminate», «purify» you

the setting evokes Nazi Concentration Camps, where instead of water, gas was used



SAFE FROM HARM / 2008


aluminum foil, tape



a fence is surrounding you

after all these beautiful things that are promised (love, happiness, freedom...)
you are in the ambiance that limits you

closed, trapped
limits are both intellectual and personal

lack of basic freedom, lack of choice

by the promise of keeping you safe and protected you are controlled, imprisoned


I have used everyday materials to create works
those that you can buy in every grocery store. In this way I wanted to show how much these manipulation is infected and part of our life; how the things such as hate, intolerance, non- understanding are becoming a way of life

BASTION (five stars) / 2008

“ARTIKULACIJA PROSTORA/ RADOVI U TIJEKU”, BEDEM CORNARO , Split, Croatia
iron, fabric, wood, plastic



sculpture-in-the-open exhibition

Cornaro bastion is famous as being derelict and devastated space in the town centre mainly used by prostitutes and heroin addicts

I have placed three beds with brightly coloured baldachins

this works deals with tourism as an excuse for any urban devastation, camouflaged by creating comfort and categorization (5 stars)

I'm exploring relations between art and artists and the everyday users of this space

INSTANT MONUMENT / 2008





I have made a photo documentation of the different, existing monuments

every monument was dedicated to some historical figure (there are no allegorical representation such as Freedom, Justice, an unknown hero ... or fictional characters)

based on photographs I have made a three-dimensional drawings

the model of each pedestal is called by the name of the person that is actually on the monument (e.g. MODEL_001_CHRISTOPHER, MODEL_002_GIUSEPPE ...)

fifteen different models of pedestals

exhibition presents prints of each model and video animation

animation is created in a way that each of the models is displayed as a drawing and its versions in materials such as granite, marble...

work is treated as a kind of advertising, catalogue

pedestal models offer the choice, everyone can choose the desired one made in material that prefers

GOLF CAR / 2008

"ISLAND MAP", KLOVIĆEVI DVORI GALLERY, Zagreb, Croatia
iron, wood, 300 x 250 x 200 cmPula, Croatia



work is completed for the exhibition which was conclusion of three-year art events on the island Zlarin held in Zagreb, the capital of Croatia

lately Zlarin, among others, received the title of Golf Car island, on an island without cars, today we have over 25 vehicles for the golf but no golf course, not even one hole

the first such vehicle were brought by a local immigrant working in the USA, for help around the field, household and other activities, to facilitate in late years

shortly after the second "American" brings his own , then the third one, fourth ...

soon after the arrival of first few cars, starts the game of prestige among the standard white golf cars, there are now red, gray, gold ... with most modern design

golf car has become the subject of debate, taunt, comments ... usually no one is indifferent to a subject

for the exhibition I have create an object that by its form is reminiscent the golf car

object is made in the manner of arbour, bench

after the exhibition the work is set in Zlarin within the children's playground, with swings and slides as yet another device for playing and games

all of the above served as a pretext review the situation, context, meaning and understanding
in spite of its form (it is obvious that this is an installation, sculpture) work presented at the prestigious gallery remains unclear if the visitor does not understand the context from which the work was based, equally as for citizens of Zlarin are incomprehensible artistic interventions that occur every summer

EVERYTHING IN ITS RIGHT PLACE / 2008

“EVERYTHING IN ITS RIGHT PLACE”, MIROSLAV KRALJEVIĆ GALLERY , Zagreb, Croatia
plaster panels, wood, sound, light



coming back from the residence in New York, I had a solo exhibition as a winner of Radoslav Putar award

the exhibition is supposed to reflect the New York experience

I have built the corridor within the exhibition space that lead to the storage of the gallery

I have left all of the objects in the storage as they were, without any intervention or changing the setting

I have built the wooden ceiling through which light could be seen, and sound could be heard

the sound was recorded during one of the high-brow exhibition openings in New York

creation of false spectacle and high expectations eventually leads the visitor to the unrepresentative setting of the storage, where he/she is left to him/herself

personal and social position is stressed here, that includes irony

the work deals with relations within art, the question of center and province, of inherent and imposed mystification and glorification of the center

after spending two months in such a center, coming back to reality can be seen as a failure, but at the same time as relief because everything is where it should be

PENALTY KICKS / 2007

“35th SPLIT SALON”, BAČVICE AQUARIUM, Split, Croatia

video, loop, TV, crates of beer, beer



video shows penalty kicks performed by several men, while I, in the role of the goalkeeper, am trying to save the penalty kicks

the actions are taking turn fast while music is played in the background

constant repetition

the viewer can help himself with a beer and sit on one of the crates, creating a feeling of comfort

the problem of my own position as an individual/artist is presented through the undesirable position of a goalkeeper

although I have a very modest knowledge of football, typically male thing, by playing it I create a feeling of acceptance and belonging

criticism of gender stereotypes, the rules of mass games and imposed values

WE ARE ONLY TWO MEN AT THE EXHIBITION, RADOSLAV / 2007

“FINAL 2007! RADOSLAV PUTAR AWARD”, GALŽENICA GALLERY, Velika Gorica, Croatiastyrofoam,plaster, wood, cardboard, 420 x 60 x 60 cm



the Jury of this year’s edition of Radoslav Putar Award consists of five women who have selected four finalists among whom three of them are women

to be minority / isolation

problem of emancipation in hands of emancipated group

on the other hand I apply typically male approach

producing the bust and placing it in the very center of exhibiting space

making it significant, creating it pompous / personality cult, heroism

falic form / totem, symbol of adoring

accentuated male position

title of the work is twofold - can be understood as a macho statement and in the same time it offers constatation of slight panic

usage of colloquial language and slang to stress belonging to the same group

work refers to relations burdened by social, sex and gender, ideological and traditional differences

prejudices

exclusivity of certain groups, intolerance, creating the system of values within those groups

ARC 2000 / 2007

„42nd Zagreb Salon of Visual Arts “, Zagreb Fair , Pavilion 19, Zagreb, Croatiawood, sponge, cement blocks, fabric, 350 x 120 x 120 cm



an unidentified vehicle

the name, the mode of presentation and its equipment lead to the conclusion that it must be a luxurious product

its placement on cement blocks makes it impossible to move

thematic connection to the Biblical story (the title, intention of carrying two people, a couple) is brought to the absurd

YOU GOT IT! / 2007

„You Got It! “, VN Gallery , Zagreb, Croatia

in the multipurpose Gallery venue which, at the same time, serves as a library, three types of slot machines are placed: poker machines, video games and pinball machines

the venue is a sort of a living room for its regular visitors – pensioners, who pass their time in reading daily newspapers

reading as a pastime, entertainment and fun

addiction to news they no longer participate in, but are only consumers, is placed within a context of addition to fun and finding ways to pass free time

the works are presented as some kind of monuments or busts in a museum

the monuments to people who have become machines with strictly determined set of values

FULL BONUS / 2007

„You Got ot It! “, VN Gallery , Zagreb, Croatia
wood, 180 x 150 x 60 cm, each



wooden objects that seem like coffins with tombstones

full bonus is a final winning in pinball that the players try to achieve, and reach the score that will allow them to continue playing

despite of the effort, defeat and loss are inevitable

FIVE OF A KIND / 2007

„You Got It! “, VN Gallery , Zagreb, Croatia
plaster, 35 x 35 x 33 cm, each



forms of poker machines are made of plaster of Paris painted gold, set as busts, portraits of historically and culturally important people

the title comes from the winning combination

five unified casts are left unfinished, you can see some differences

wrong and superficial understanding, generalization

HIGH SCORE / 2007

„You Got It! “, VN Gallery , Zagreb, Croatiawood, veneer, plaster of Paris, 250 x 130 x 100 cm



a video game console made of plaster of Paris set as a monument

over dimension to stress monumentality

the names of the best players are memorized in the machines until they are replaced by a better player

SHELTER / 2006

“CONTEMPORARY ART IN SPLIT- NEW GENERATION”, GALLERY OF FINE ARTS, Split, Croatia
cardboard, 192 x 198 x 284 cm



a cardboard reconstruction of a family shelter (Family Fallout Shelter- the manual for construction with detailed instructions, photos and drawings can be found on the Internet)

three situations that inspired me to create this work

- situation 1

the building of today’s Art Gallery in certain period was an orphanage

the fact that not one of its wards lived to the age of 18

- situation 2

surfing the Internet I have found advertising pages of a company producing small family fallout shelters

in the promotional material there is a picture of a mother looking at her children playing inside the latest model of the fallout shelter

- situation 3

behind my apartment building, in the lot, the neighborhood children at play, are constantly building cardboard houses, shelters

when rain or wind destroys one, they start building a new one

detachment from dimensions, selection of fragile material, form and condition of work, dialogue between stories and situations, reveals nonsense ( an orphanage offering no safety... a fallout shelter as a play room and idyllic family room... a shelter which can’t withstand a puff of wind...)

the emphasis of the inability to fulfil the elementary purpose leaves some space for personal interpretation

NIKOLA TESLA- proposal for a monument / 2006

„Normalization“, Nova Gallery , Zagreb, Croatia
project, 10 prints



the exhibition was organized on the occasion of 150 years of Nikola Tesla’s birth, at a time of political debate on the way of celebrating that anniversary and the controversial attitude towards Nikola Tesla

dispute on whether to place the monument in Zagreb or Smiljan

I suggested that the already existing sculpture created by Ivan Meštrović, one of the greatest Croatian sculptors, should simply be cut in half and each part should be placed in each of the locations

due to the symmetry of the original sculpture it should be enough to place the mirror next to the existing half and not to lose anything of the visual whole

series of different interventions were proposed – to use some expensive materials, an interactive fountain, laser illumination, golden ornaments ... just to mend the thing that cannot be mended and show how much we care

THE THINGS THAT DREAMS ARE MADE OF / 2006

“THE THINGS THAT DREAMS ARE MADE OF”, GALLERY OF FINE ARTS, Split, Croatia

INTERSTELLAR THUNDERBIRD (prototype)

styrofoam, metal, cardboard, 42 x 212 x 470 cm


STARSHIP CAPITAIN’S EXTRAVEHICULAR SUIT


polyvinil, 190 x 85 x 30 cm


HEAVYCRUISER BATTLEUNIT COMMANDER-S SUIT
3rd GENERATION

polyvinil, 190 x 85 x 30 cm



spacial installation consisting of four elements: intergalactic spacecraft, two spacesuits and an inscription, the same as the title of the exhibition that dominates over the set works

the setting reminds of some car show, exhibition of some fashion and technological achievements or some historic museum (the gallery where the exhibition was held was formerly a museum of revolution)

the works are left technically imperfect, and together with the titles parody themselves, stressing the incapability of fulfilling its basic purpose

all the elements at the exhibition were taken at an association level; endless universe is similar to endless imagination, dreams