![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9i-alS5I7fX1dVHAcGh5WZPv7rh_LjqBYZZjz3CEHKimkogHEs0nA5VJTl0wKVvPGMSTOMNxjcoydc8ssis_D8gOSxS38jYYJ0XJV8SFE9Rifwm5FU_9V2x0-hMmwTKOcgbPhgyZ4wXk/s320/vjezba_cini_majstora_1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9frF0uxaGRIE2SNaSlJtWYjkqlMyctg-0dkvZQtySYuxrYCidGuZWRQMjsIdYeV6_HiMJsW5n5DkLXtt_nAMJnFqVSM1yBSj2SfQuRzSNnGchZe2k0RV5Li2SoKniT2NQz3jzZ1Q1Myk/s320/vjezba_cini_majstora_3.jpg)
wood, video, 4', 16'' loop
excerpt from video
video still
sound is coming from behind the wall made of planks
when the spectator gets closer, through gaps between the planks he/she observes a video featuring the artist
I sit on the floor with my back against the wall; I'm throwing a tennis ball against the opposite wall and catching it again
endless repetition of one and the same meaningless action; practicing until perfection is attained
although the artist is free to choose his/her method(s) of work, he/she is bound by the limits of the artistic calling; marginalized, trapped in the narrow field of the art world
remake of the scene with Steve McQueen from the movie The Great Escape
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